Dave Watts (drums)
Joey Porter (keys)
Garrett Sayers (bass)
Ryan Jalbert (guitar)
Lyle Divinsky (vocals)
Drew Sayers (sax)
Parris Fleming (trumpet)
Throughout history, unity starts on the dancefloor. From ancient tribal cultures to neon night
clubs, beats bring bodies together. Once grinding and grooving in unison, the movement
generates friction, sparks, and light. That might just be the purest form of energy on the planet.
The Motet harness such energy on their ninth full-length, Death or Devotion. In fact, the Denver
septet—Dave Watts [drums], Joey Porter [keys], Garrett Sayers [bass], Ryan Jalbert [guitar], Lyle
Divinsky [vocals], Drew Sayers [sax], and Parris Fleming [trumpet]—encode a message in their
energetic mélange of boisterous badass funk, swaggering soul, and thought-provoking pop.
In the process, they challenge convention and arrive with a dynamic, diverse, and definitive
“The essence is always going to be the groove, but we wanted to expand the idea of what a
funk album could be,” says Lyle. “Of course, you want a driving backbeat. However, with the
division that’s going on in this country and the world, I think it’s every artist’s responsibility to
create a conversation. That conversation doesn’t have to be political either. It can be about love
or an introspective journey. I think the commentary should be on what it’s like to be alive
today. By drawing on funk, we create a fun, palatable musical vehicle for the message to go
down. Our goal is for you to recognize we’re all dancing on the same dance floor—even though
our steps may look a little different.”
Death or Devotion earmarks an important point in the band’s own journey. Since emerging in
1998, the boys have cooked up eight full-length albums and entranced countless crowds. 2016’s
Totem saw them welcome Lyle behind the mic and Drew on sax. Shortly after, they kicked off
what has become an annual tradition by selling out the legendary Red Rocks Amphitheater for
the first time. “It was my six-month anniversary and first show for a hometown crowd,” recalls
Lyle. “I’ve got 10,000 people looking at me like, ‘Who the hell is that?’,” he laughs.
That night would be chronicled on the fan favorite Live at Red Rocks. In the meantime, the
group maintained a prolific pace of 100 shows per year in support of Totem. Along the way, The Motet started recording Death or Devotion during intermittent sessions at Scanhope Sound in
For the first time, Lyle, Drew, and Parris (who joined in 2018) worked on a Motet record
together from start-to-finish. “On Totem, the train was already moving, and I was just a train hopper,” says Lyle.
“Drew, Parris, and I came onboard within the same year. Now, we’re all bringing our pieces to
the puzzle. For me, I brought that R&B style. Funk is the common ground, but the music is a
result of different inspirations: namely Drew’s hip-hop and reggae knowledge, Ryan’s
psychedelic jamming, Dave with the worldbeat, Joey with his encyclopedic understanding of
punk, and Garrett being the best bass player to exist. We found a really cool balance between
the funkiness and songs that challenge your emotional headspace more than typical pop.”
The first single “That Dream” showcases the myriad of musical flavors from all seven members.
Clean palm-muted guitars bristle against a swaggering beat as the horns enliven each verse,
while a vocal call-and-response relays a head-spinning tale.
“I took a nap, and I had the craziest dream I’ve ever had,” he recalls. “In the dream, I’m
heartbroken from a nonexistent relationship, so I go out to a bar. I get seduced by this beautiful
woman who serves me a glass of wine with poison. I wake up handcuffed and she’s stealing
from me and torturing me. It was so dark, but I woke up and thought, ‘That would be a crazy
subject to write a party song about!’”
Elsewhere, “Highly Compatible” hinges on an unshakable riff and raucous refrain upheld by
sizzling sax. “It’s like that beautiful moment of falling in love where you recognize something as
supremely real-life magic,” Lyle goes. “Harry Potter couldn’t conjure a better spell. It’s the
magnetic nature of the chemistry. We captured that chemical recognition.”
From the infectious hooks of “Contagious” to the instrumental fireworks on “Speed of Light,”
The Motet ultimately propose an important question at the heart of Death Or Devotion.
“What are you going to bring to yourself and the world?”, Lyle leaves off. “Are you going to
bring death, or are you going to bring devotion? The choice is yours. When you listen to this
record, I’d love for you to walk away feeling a little bit more connected, whether it be to
yourself, to your friends, or to your community. Being able to drop all of the vision for a minute,
be present, smile, and dance reminds us we’re all going through this together.”